Book 13 edition notes 101–200
Note 101
The sense is this: Jiva carries that seed of acts, i.e., Ignorance and Desire, with him. In consequence of this seed, Jiva travels from one world into another ceaselessly. This seed, therefore, is the conveyance or the means of locomotion of Jiva. Mahadeva is Jiva. The soul is called the rider, and the body is the car that bears the Soul on it.
Note 102
Ganapati is Ganesa, the eldest son of Mahadeva. The Ganas are mighty beings that wait upon Mahadeva. This make up the first hundred names. The commentator takes Avala and Gana together.
Note 103
Digvasas means nude. The Puranas say that for stupefying the wives of certain ascetics, Mahadeva became nude on one occasion. The real meaning, however, is that he is capable of covering and does actually cover even infinite space. In the sense of nude, the word means one that has empty space for his cover or vestments.
Note 104
The meaning is that with thee Knowledge is penance instead of actual physical austerities being so. This is only another way of saying that thou hast Jnanamayam Tapah.
Note 105
Sataghni a killer of hundred; Wilson thinks it was a kind of rocket.
Note 106
Harikesa means one having the senses for one's rays, i.e., one who displays all objects before the soul through the doors of the senses. The meaning is that Mahadeva is he through whose puissance the mind succeeds in acquiring knowledge through the senses.
Note 107
Krishna is explained by the commentator thus. Krish is a word signifying Bhu or Existence. The letter n (the palatal one) signifies nivritti. Hence Krishna is anandatanmatra.
Note 108
Kaparddin is thus explained by the commentator Kam Jalam pivati iti kapah. So called because of the incident noted in the text, for the matted locks of Mahadeva had sucked up the river Ganga when it first fell from heaven. Then Rit means sovereignty or lordship. Riddah is one that gives sovereignty. Combining the two, the compound Kaparddin is formed.
Note 109
Nabhah means space which implies puissance. That Nabhah is the sthala or abode of Mahadeva. The Bengal texts which read Nabhastala are vicious.
Note 110
The deities are said to move about during the day, while the Asuras and Rakshasas during the night. What is said, therefore, here is that thou art the deities and thou art their foes of the Daityas and others.
Note 111
Sound, only when manifested, becomes perceptible. When unmanifest and lying in the womb of eternal space, it is believed to have an existence. Unmanifest Brahman is frequently represented as anahatah savdah or unstruck sound.
Note 112
These four ways are as enumerated by commentator, Visva, Taijasa, Prajna, Sivadhyana.
Note 113
It may also mean that thou art he called Buddha who preached against all sacrifices.
Note 114
The commentator explains that Mahadeva's defeat at the hands of Krishna in the city of Vana was due to Mahadeva's kindness for Krishna, even as Krishna broke his own vow of never taking up arms in the battle of Kurukshetra, for honouring his worshipper Bhishma who had vowed that he would compel Krishna to take up arms.
Note 115
The sense is this: when the universal destruction comes and all becomes a mighty expanse of water, there appears a banian tree under whose shade the immortal Rishi Markandeya sees a boy who is Mahavishnu.
Note 116
It may also mean that thou art he at whose approach all the Daitya troops fled in all directions.
Note 117
i.e., thou art Time itself. This is the implication.
Note 118
By these three names what is indicated is that Mahadeva is a householder, a Sanyasin and a forest-recluse. House-holders bear a tuft of hair on their heads, Sanyasins have bald heads, while forest recluses or Vanaprasthis have matted locks.
Note 119
The sense is that Brahman is felt by every one in the firmament of his own heart. Mahadeva, as identical with Brahman is displayed in the heart that is within the physical case. Hence, he may be said to take birth or appear in his effulgence within every one's body.
Note 120
Kalakatankatah is explained by the commentator as follows:--Kala is Yama. He is covered over with the illusion of the Supreme Deity. This all covering illusion, again, has the Supreme Deity for its cover. Thou art that Supreme Deity.
Note 121
Vibhaga and Sarvaga, the commentator explains, are used for indicating that thou art the universe as Vyashti and Samashti.
Note 122
Some editions read susaranab, meaning thou art he who well protects the universe.
Note 123
The golden mail being the illusion of the Supreme Deity in consequence of which the universe has become displayed.
Note 124
Thou art Pasupati; atodyah pratodanarhah pasavah yasya iti.
Note 125
The commentator explains that Tarangavit, which is literally conversant with waves means one that is acquainted with the joys or pleasures that arise from the possession or enjoyment of worldly things, for such joys may truly be likened to waves which appear and disappear on the bosom of the sea or ocean of Eternity.
Note 126
The commentator explains that the binder of Asura chiefs refers to the Supreme Deity's form of Vishnu in which he had bound Vali, the chief of the Asuras. The plural form has reference to successive Kalpas.
Note 127
The sense is that thou art he that is well conversant with the ritual of sacrifices.
Note 128
Or, it may mean that thou art he that has no vestments, for no vestments can cover thy vast limbs.
Note 129
Those that uphold others are, for example, the elephants that stand at the different points of the compass, the snake Sesha, etc. What is said here is that thou art the best of all these or all such beings.
Note 130
The sense is that thou art Vishnu who is the foremost of the celestials and thou art Agni who is the lowest of the celestials; i.e., thou art all the celestials.
Note 131
The body is as it were a pit into which the soul falls, determined by Desire and Ignorance.
Note 132
Vasu, the commentator explains, indicates the Wind, for it means that which establishes all things into itself.
Note 133
Nisachara is one acting through nisa, or Avidya, i.e., one who enjoys all objects, implying Jiva invested with Ignorance.
Note 134
The Soul can view the Soul or itself, if it can transcend the body with the aid of Yoga.
Note 135
The commentator explains that the first word means that thou art Hansa and that the second word means thou art Paramahansa.
Note 136
Varhaspatya is a word that is applied to a priest. The deities first got their priest for assisting them at their sacrifices. Human beings then got theirs. Those born after Vrihaspati are Vrihaspatyas.
Note 137
This word Nandivardhanah may also mean he that withdraws or takes away the joys previously conferred.
Note 138
The language of the Veda is divine. That of the scriptures is human.
Note 139
Literally, crown of the head.
Note 140
i.e., that succeeds in effecting his Emancipation.
Note 141
Mahanakha refers to the incarnation of Narasingha or the Man-lion assumed for slaying the Daitya Hiranyakasipu, the father of Prahlada. Maharoman has reference to the form of the mighty or vast Boar that the Supreme Deity assumed for raising the submerged Earth on his tusks.
Note 142
Mahamuni may mean either one that is very mananasilah or one that is exceedingly taciturn.
Note 143
How the world has been likened to a tree has been explained in the Moksha sections of the Santi Parvan.
Note 144
This is explained in the sense of no one being able to enquire after Brahman unless he has a body, however subtile, with the necessary senses and understanding. It may also mean that the tree of the world furnishes evidence of the existence of the Supreme Deity.
Note 145
Both the vernacular translators have rendered many of these names most carelessly. The Burdwan translator takes Yaju as one name and Padabhuja as another. This is very absurd.
Note 146
These are the ten previously enumerated, beginning with residence in the mother's womb and ending with death as the tenth, with heaven the eleventh and Emancipation the twelfth.
Note 147
It should be remembered that Kali which is either the age of sinfulness or the presiding deity of that age and, therefore, a malevolent one, is highly propitious to Emancipation. The world being generally sinful, those who succeed in living righteously in this age or under the sway of this malevolent deity, very quickly attain to heaven if heaven be their object, or Emancipation if they strive for Emancipation.
Note 148
Implying that thou assumest the form of the constellation called the Great Bear, and moving onward in space causest the lapse of Time. This constellation, in Hindu astronomy, is known by the name of Sisumara because of its resemblance with the form of a tortoise.
Note 149
The word bhashma, meaning ashes, literally signifies anything that dispels, tears off all bonds, and cures every disease. Ashes are used by Sanyasins for rubbing their bodies as a mark of their having consumed every sin and cut off every bond and freed themselves from all diseases.
Note 150
Mahadeva gave a quantity of ashes to his devotees for protecting them from sin.
Note 151
Vide the story of Mankanaka. The Rishi of that name, beholding vegetable juice issuing from his body, began to dance in joy. The whole universe, overpowered by a sympathetic influence, began to dance with him. At this, for protecting the universe, Mahadeva showed himself to Mankanaka and, pressing his fingers, brought out a quantity of ashes, thus showing that his body was made of ashes.
Note 152
Anukari literally means an accessory. In the form of Vishnu or Krishna, the Supreme Deity addrest himself to aid Arjuna in slaying Bhishma.
Note 153
As Krishna the friend of Arjuna.
Note 154
In the Pauranik myth, the Earth is described as being supported in empty space by a mighty snake called Sesha. Mahadeva is that Sesha, otherwise called Ananta.
Note 155
i.e., Mahavishnu, from whose navel arose the primeval lotus within which was born Brahma.
Note 156
The Bombay text has a misprint. It reads Punya-chanchu for Punya-chunchu. In printing the commentary also, the well-known grammatical Sutra vrittanschanchu etc. The Burdwan translator repeats the misprint in his rendering. K. P. Singha avoids it.
Note 157
The word Kurukshetra or its abbreviation Kuru means the field or department of action. It means also the actual field, so called, on which king Kuru performed his penances, and which is so sacred that its very dust cleanses a person of all sins.
Note 158
The commentator explains that Siddharthah means Siddhantah, and that the following compound is its adjective.
Note 159
Literally, the Soul of real existence.
Note 160
People eat off plates of silver or gold or of other metals. Mahadeva has for his plate Kala or destroyer of the universe. Both the vernacular translators have erred in rendering this word. K. P. Singha takes the compound as really consisting of two names, etc.
Note 161
The sense is that Mahadeva is the foremost of Sadhakas or worshippers engaged in acquiring a particular object, for he has emaciated or reduced to nothingness all his foes in the form of all passions good and evil. Prakarshena tanukritah arayah kamadayo yena sah.
Note 162
Narah is thus explained by the commentator.
Note 163
The commentator explains that he who is called Suparvan in heaven is otherwise called Mahan.
Note 164
Sarva-sahana-samarthya pradah as the commentator explains. Hence, it means that Mahadeva is he who makes creatures competent to bear all things, i.e. all griefs and all joys, as also the influence all physical objects that is quietly borne without life being destroyed.
Note 165
The etymology of Hara is thus explained by the commentator; Hanti iti ha sulah; tam rati or adatte. This is very fanciful.
Note 166
The sense is this: a nipana is a shallow pond or ditch where cattle drink. The very oceans are the nipanas or Mahadeva.
Note 167
The commentator thinks that this has reference to the incarnation of Trivikrama i.e., the dwarf suddenly expanding his form till with two steps he covered Heaven and Earth and demanded space for his third step.
Note 168
i.e., thou art possessed of Yoga knowledge.
Note 169
The two together form one name.
Note 170
These are Vija, Sakti, and Kilakani. A kakud is a hump or elevated place in the body.
Note 171
The thin bamboo rod in the hand of the Brahmana is mightier than the thunderbolt of Indra. The thunder scorches all existing objects upon which it falls. The Brahmana's rod (which symbolizes the Brahmana's might in the form of his curse) blasts even unborn generations. The might of the rod is derived from Mahadeva.
Note 172
Sayambhuvah Tigmatejah is one name. The commentator explains that Brahman could not look at Mahadeva; hence this reference to his prowess.
Note 173
Brahma, after his birth within the primeval lotus, became desirous of seeing the end of the stalk of that lotus. He went on and on, without succeeding to find what he sought. The meaning of the word, therefore, by implication is that Mahadeva is infinite.
Note 174
Once Brahma asked Surabhi to bear evidence before Vishnu to the statement that Brahma has seen the foremost part of Siva. Surabhi having given false evidence out of fear for Brahma was cursed by Siva that her offspring will eat unholy substances.
Note 175
Uma is another name for Brahmavidya.
Note 176
Falling from the celestial regions, the river Ganga was held by Mahadeva on his head, among his matted locks. At the earnest solicitations of King Bhagiratha he gave her out so that flowing along the surface of the Earth she met the ocean, first passing over the spot where the ashes of Bhagiratha's ancestors, the sixty thousand sons of king Sagara of the solar race, lay.
Note 177
This form is called Hara-Gauri, as explained before.
Note 178
Some texts read Pritatma, implying one of contented soul. The reading noticed by the commentator is Pitatma, meaning gold-complexioned. The Burdwan translator takes Pritatma as one name. This is not correct.
Note 179
Mahadeva is represented as possessed of five heads, four on four sides and one above.
Note 180
Amritogovrisherwarah is one name.
Note 181
These are names for different portions of time.
Note 182
The Srutis declare that Fire is his head, the Sun and the Moon are his eyes, etc.
Note 183
Mahadeva has an image in the country of the Kalingas that is called Vyaghreswara.
Note 184
Kantah is thus explained. Kasya Sukhasya antah sima.
Note 185
Undivided, i.e., having nothing else for its object, Sarva-bhavatah is bhagvat. The sense is that unless one becomes conversant with all the modes of worshipping Bhava, i.e., in thought, word and deed, and unless one has special good luck, one cannot have such devotion to Bhava.
Note 186
There are numerous instances of the gods having become alarmed at the penances of men and done their best to nullify those penances by despatching celestial nymphs for attracting them of carnal pleasures.
Note 187
I expand this verse a little for bringing out the sense clearly.
Note 188
The subject propounded by Yudhishthira is this: marriage is always spoken of as a union of the sexes for practising all religious duties together. The king asks, how can this be. Marriage, as seems to him, is a union sought for pleasure. If it be said that the two individuals married together are married for practising religious duties jointly, such practice is suspended by death. Persons act differently and attain to different ends. There is, therefore, no prospect of a reunion after death. When, again, one of them dies, the joint practice of duties can no longer take place. The other objections, urged by Yudhishthira, to the theory of marriage being a union of the sexes for only practising religious duties jointly, are plain.
Note 189
The sense is that if after returning from thy journey to that region thou claimest thy bride, thou mayst obtain her from me. Thy journey will be a sort of trial or test to which I mean to put thee.
Note 190
Kala-ratri is the Night that precedes the universal dissolution.
Note 191
The commentator thinks that uttaram means the sacred north.
Note 192
Tirtha means here a Ghat, i.e., an easy descent from the bank for access to the water.
Note 193
Pradhanatah is explained by the commentator to mean with foremost of Vedic mantras.
Note 194
Mandakini is that part of the river Ganga which flows through Kailasa, while Nalini is a celebrated lake owned by the king of the Yakshas, so called because of the lotuses which occur there in plenty.
Note 195
Divya is excellent Gandharva, meaning music and dance.
Note 196
A woman is said to destroy a family by staining it with her unchastity.
Note 197
Both the vernacular translators have totally misunderstood the second line. Asyatam is explained by the commentator as tushnim sthiyatam. Ruchitahchcchandah means chcchandah or yearning arises from ruchi or like. What the Rishi says is, 'As yet I do not yearn after thy company, for I do not like thee. Of course, if, after staying with thee for some time, I begin to like thee, I may then feel a yearning for thee!'
Note 198
Utsaditah is explained by the commentator to mean chalitah. Here, however, I think it does not mean so.
Note 199
The last words may also mean--'Go to thy own bed and rest by thyself!'
Note 200
The commentator takes the words kimivottaram bhavet to imply what will be better for me? Shall I adhere to Vadanya's daughter or shall I take this girl? I think this is rather far-fetched.